1896
image: 37.5 × 45.4 cm (14 3/4 × 17 7/8 in.) sheet: 49 × 56.2 cm (19 5/16 × 22 1/8 in.)
[Kaare Bernsten, Oslo], sold; to Philip A. and Lynn G. Straus, New York, 1976 or 1977, bequest; to Harvard Art Museums, 2023
Woodcut printed in black ink on very thin Japanese paper
19th centuryNorwegianWoodcut with gouges printed on Japan paper
19th centuryNorwegianWoodcut sawn in three pieces printed in black, red, yellow, and blue inks on brown wove paper
19th centuryNorwegianWoodcut printed in black ink on tan wove paper, cut to the image of two heads and laid down on gray-brown cardboard, colored overall with black and red watercolor and gouache, with gold paint in the woman's hair
19th centuryNorwegianWoodcut printed in black, greenish gray, turquoise, and pale orange ink on cream wove paper, with dark blue crayon added to minimize the white outline of the man's head and torso
19th centuryNorwegianWoodcut in pale rose and pale blue with oil and gouache in black, red, yellow, blue, and green on heavy off-white wove paper washed with brown watercolor to make it a tan shade
19th centuryNorwegianWoodcut printed in orange, yellow, black, and dark greenish blue on tan wove paper
19th centuryNorwegianWoodcut from two blocks printed in black and greenish gray, handcolored in pale orange, on Japanese paper
19th centuryNorwegianWoodcut with gouges and fretsaw printed in black, reddish-orange, blue, and gray inks on thin Japanese paper mounted on a tan wove sheet, the mount's edges tinted to match the woman's face
19th centuryNorwegianWoodcut with gouges printed in red ink on Japan paper
19th centuryNorwegianWoodcut from two blocks cut into sections printed in gray, bluish black, and deep brownish orange inks on off-white wove paper
19th centuryNorwegianWoodcut printed in black, red, and teal blue inks on off-white, thin, laid Japanese paper
19th centuryNorwegian