The Consecration of a Saint as Bishop

Brown ink over black chalk and incidental pink wash, on light tan antique laid paper, laid down, framing lines in brown ink and dark brown ink

Brown ink and brown wash on wood

Brown ink and brown wash over touches of black chalk, incised, on off-white antique laid paper, framing line in brown ink, laid down on a gold-bordered mount

Brown ink and brown wash over black chalk on three pieces of cream antique laid paper; some (later?) gray wash on Adam's crotch; partial framing line in brown ink; verso: faint black chalk sketches of architectural motifs

Brown ink and brown wash on wood; verso: red chalk

Black and brown ink and gray wash on off-white antique laid paper, laid down

Black ink on off-white antique laid paper, incised, black ink framing line, blackened on the verso for transfer to copper plate

Brown ink, brown and gray wash and white opaque watercolor on cream antique laid paper

Brown ink, brown and gray wash and white opaque watercolor on blue antique laid paper, framing line in black chalk and brown ink

Brown ink, brown wash and graphite, squared in graphite and black chalk, incised, on off-white antique laid paper; partial framing line in brown ink and graphite

Brown ink and brown wash over black chalk on cream antique laid paper, laid down

Charcoal, black chalk, stumped, and gray wash, center line, framing lines and indications of saddle bars and T-bar in red chalk on six joined sheets of antique laid paper, mounted on Japanese paper; scattered touches of graphite restoration