Adoration of the Magi, after Tintoretto

Brown ink, with some scattered traces of reddish-brown chalk on cream antique laid paper, framing line in brown ink

Brown ink, brown wash, and black chalk on off-white antique laid paper, framing line in brown ink

Brown ink and brown wash over black chalk on three pieces of cream antique laid paper; some (later?) gray wash on Adam's crotch; partial framing line in brown ink; verso: faint black chalk sketches of architectural motifs

Black ink on off-white antique laid paper, incised, black ink framing line, blackened on the verso for transfer to copper plate

Brown ink and brown wash over black chalk on cream antique laid paper, laid down

Brown ink, gray and rose wash over black chalk, incised, on cream antique laid paper, framing line in black chalk and brown ink, mounted on an album leaf; verso: partially visible, outlines of recto are traced through in black chalk, incised

Brown ink and brown wash on wood; verso: red chalk

Brown ink, brown wash and white opaque watercolor over black chalk, incised, on cream antique laid paper

Gray and brown ink, white and pink opaque watercolor, on gray-blue prepared paper, partial framing line in gray ink

Brown ink on cream antique laid paper

Opaque watercolor and shell gold over traces of black chalk on paper mounted overall to wood panel; framing lines in shell gold and dark red opaque watercolor

Brown ink over black chalk on off-white antique laid paper