c. 1533-39
20.7 x 32.8 cm (8 1/8 x 12 15/16 in.) mount: 29.1 x 41.2 cm (11 7/16 x 16 1/4 in.)
Richard Cosway, Esq., London (L. 628, lower left), probably sold; [G. Stanley, London, 14 21 February 1822, perhaps either lot 172 (as Heemskerk), lot 347 (as Bandinelli), or lot 572 (as Michelangelo)]. Sir Thomas Lawrence, London (L. 2445, lower left). [1] Possibly Samuel Woodburn, London, sold; [Christie’s, London, 20 June 1854, lot 794 (as Coxie, "The Deluge")]. Sir J. C. Robinson, London (L. 1433, variant, lower left), sold; [Christie's, London, 12 May 1902, lot 95]; to [F. J. Parsons, London.] Frederick N. Price (president of Ferargil Galleries), New York, given; to Swarthmore College, Swarthmore, Penn., 1933-41 (inv. no. 403), deaccessioned; to [James A. Bergquist, Boston] sold; to Fogg Art Museum, 1982; Curatorial Study Group Fund, Marian H. Phinney Fund, William C. Heilman Fund and Paul J. Sachs Memorial Fund, 1982.50. 1. The drawing is not known in Lawrence's sales of 1830, 1831, or 1860, nor is it in his inventory housed in the Victoria and Albert Museum.
Black ink and gray wash over black chalk on off-white antique laid paper
16th centuryNetherlandishOpaque watercolor and shell gold over black chalk on antique laid paper mounted overall to wood panel; framing lines in shell gold and dark red opaque watercolor
16th centuryNetherlandishBrown ink on cream antique laid paper
16th centuryNetherlandishBrown ink and gray wash over black chalk, incised, on cream antique laid paper, mounted on an album leaf; verso: outlines of recto are traced through in black chalk, incised
16th centuryNetherlandishBrown ink on cream antique laid paper
15th-16th centuryNetherlandishBrown ink over black chalk on off-white antique laid paper
16th centuryNetherlandishBrown ink and gray wash on cream antique laid paper, framing line in brown ink and gray wash
16th centuryNetherlandishBrown ink and gray wash over traces of black chalk on cream antique laid paper, framing line in brown ink
16th centuryNetherlandishOpaque watercolor and shell gold over traces of black chalk on paper mounted overall to wood panel; framing lines in shell gold and dark red opaque watercolor
16th centuryNetherlandishBrown ink and black chalk on cream antique laid paper, partial framing lines in black chalk at top, right and bottom left
16th centuryNetherlandishBrown ink on cream antique laid paper
16th centuryNetherlandishBlack chalk, brown wash and white opaque watercolor on blue antique laid paper
16th-17th centuryNetherlandish