c. 1533-39
20.7 x 32.8 cm (8 1/8 x 12 15/16 in.) mount: 29.1 x 41.2 cm (11 7/16 x 16 1/4 in.)
Richard Cosway, Esq., London (L. 628, lower left), probably sold; [G. Stanley, London, 14 21 February 1822, perhaps either lot 172 (as Heemskerk), lot 347 (as Bandinelli), or lot 572 (as Michelangelo)]. Sir Thomas Lawrence, London (L. 2445, lower left). [1] Possibly Samuel Woodburn, London, sold; [Christie’s, London, 20 June 1854, lot 794 (as Coxie, "The Deluge")]. Sir J. C. Robinson, London (L. 1433, variant, lower left), sold; [Christie's, London, 12 May 1902, lot 95]; to [F. J. Parsons, London.] Frederick N. Price (president of Ferargil Galleries), New York, given; to Swarthmore College, Swarthmore, Penn., 1933-41 (inv. no. 403), deaccessioned; to [James A. Bergquist, Boston] sold; to Fogg Art Museum, 1982; Curatorial Study Group Fund, Marian H. Phinney Fund, William C. Heilman Fund and Paul J. Sachs Memorial Fund, 1982.50. 1. The drawing is not known in Lawrence's sales of 1830, 1831, or 1860, nor is it in his inventory housed in the Victoria and Albert Museum.
Brown ink, with some scattered traces of reddish-brown chalk on cream antique laid paper, framing line in brown ink
16th centuryNetherlandishBrown ink, gray and rose wash over black chalk, incised, on cream antique laid paper, framing line in black chalk and brown ink, mounted on an album leaf; verso: partially visible, outlines of recto are traced through in black chalk, incised
16th centuryNetherlandishBrown ink and brown wash over black chalk on three pieces of cream antique laid paper; some (later?) gray wash on Adam's crotch; partial framing line in brown ink; verso: faint black chalk sketches of architectural motifs
16th centuryNetherlandishBrown ink, brown wash and white opaque watercolor on brown prepared paper, framing line in brown ink
15th-16th centuryNetherlandishBrown ink with incidental red and black chalk on off white antique laid paper; verso: brown ink
16th centuryNetherlandishBrown ink, brown wash, and black chalk on off-white antique laid paper, framing line in brown ink
16th-17th centuryNetherlandishBrown ink over graphite on cream antique laid paper; verso: brown ink over graphite; some red chalk on vase
16th centuryNetherlandishOpaque and transparent watercolor heightened with gold and silver over graphite on cream paper, framing line in black ink, red opaque watercolor, and gold
16th centuryNetherlandish?Brown ink and gray, yellow and rose wash over black chalk, incised, on cream antique laid paper, framing line in brown ink, mounted on an album leaf; verso: outlines of recto are traced through in black chalk, incised
16th centuryNetherlandishBrown ink, brown wash, and touches of black chalk on cream antique laid paper
16th centuryNetherlandishBrown ink on light tan antique laid paper; verso: two tones of brown ink
16th centuryNetherlandishBrown ink, brown wash and white opaque watercolor over touches of black chalk on cream antique laid paper, laid down
16th-17th centuryNetherlandish