c. 1533-39
20.7 x 32.8 cm (8 1/8 x 12 15/16 in.) mount: 29.1 x 41.2 cm (11 7/16 x 16 1/4 in.)
Richard Cosway, Esq., London (L. 628, lower left), probably sold; [G. Stanley, London, 14 21 February 1822, perhaps either lot 172 (as Heemskerk), lot 347 (as Bandinelli), or lot 572 (as Michelangelo)]. Sir Thomas Lawrence, London (L. 2445, lower left). [1] Possibly Samuel Woodburn, London, sold; [Christie’s, London, 20 June 1854, lot 794 (as Coxie, "The Deluge")]. Sir J. C. Robinson, London (L. 1433, variant, lower left), sold; [Christie's, London, 12 May 1902, lot 95]; to [F. J. Parsons, London.] Frederick N. Price (president of Ferargil Galleries), New York, given; to Swarthmore College, Swarthmore, Penn., 1933-41 (inv. no. 403), deaccessioned; to [James A. Bergquist, Boston] sold; to Fogg Art Museum, 1982; Curatorial Study Group Fund, Marian H. Phinney Fund, William C. Heilman Fund and Paul J. Sachs Memorial Fund, 1982.50. 1. The drawing is not known in Lawrence's sales of 1830, 1831, or 1860, nor is it in his inventory housed in the Victoria and Albert Museum.
Brown ink and brown wash on wood; verso: red chalk
16th centuryNetherlandishBrown ink over black chalk, incised and with a vertical line at left edge in black chalk, on cream antique laid paper, with an incised framing line
16th centuryNetherlandishBrown ink and gray wash, partially incised, on parchment, laid down on blue antique laid paper, framing line in black ink
16th centuryNetherlandishBlack ink, reddish-brown wash, and partially oxidized white opaque watercolor on light tan antique laid paper, framing line in brown ink
16th centuryNetherlandishBrown ink on cream antique laid paper
16th centuryNetherlandishBrown ink and brown wash over touches of black chalk, incised, on off-white antique laid paper, framing line in brown ink, laid down on a gold-bordered mount
16th centuryNetherlandishBrown ink and brown wash over touches of black chalk on light tan antique laid paper, framing lines in black ink over brown ink, laid down on blue support
16th centuryNetherlandishOpaque and transparent watercolor over traces of black chalk on antique laid paper mounted overall to wood panel, traces of framing lines in shell gold and dark red opaque watercolor
16th centuryNetherlandishBrown ink over black chalk on off-white antique laid paper
16th centuryNetherlandishBrown ink and gray, rose, and yellow wash over black chalk, incised, on cream antique laid paper, inside framing line in black chalk at top, right and partially at bottom, outside framing line in brown ink at top, right and bottom; verso: long lines in brown ink and rubbed with black chalk
16th centuryNetherlandishBrown ink, brown wash, and touches of black chalk on cream antique laid paper
16th centuryNetherlandishBrown ink and gray, yellow, and bluish-green wash over black chalk, incised, on cream antique laid paper, mounted on an album leaf; verso: composition traced through on verso in black chalk, partially incised
16th centuryNetherlandish