View of Over Muelen

Brown ink and gray wash on off-white antique laid paper, incised

Opaque and transparent watercolor heightened with gold and silver over graphite on cream paper, framing line in black ink, red opaque watercolor, and gold

Brown ink and brown wash over touches of black chalk on antique laid paper, toned with red wash and white opaque watercolor

Charcoal, black chalk, stumped, and gray wash, center line, framing lines and indications of saddle bars and T-bar in red chalk on six joined sheets of antique laid paper, mounted on Japanese paper; scattered touches of graphite restoration

Brown ink and brown wash over black chalk on three pieces of cream antique laid paper; some (later?) gray wash on Adam's crotch; partial framing line in brown ink; verso: faint black chalk sketches of architectural motifs

Brown ink, brown and gray wash and white opaque watercolor on cream antique laid paper

Two kinds of brown ink over black chalk on cream antique laid paper, lined with Japanese paper

Black ink and gray wash over traces of black chalk on cream antique laid paper; framing line in brown ink

Brown ink and gray, yellow and rose wash over black chalk, incised, on cream antique laid paper, framing line in brown ink, mounted on an album leaf; verso: outlines of recto are traced through in black chalk, incised

Black ink, reddish-brown wash, and partially oxidized white opaque watercolor on light tan antique laid paper, framing line in brown ink

Watercolor and gouache over graphite on parchment

Brown ink on light tan antique laid paper; verso: two tones of brown ink