BOX FOR TANZAKU

Lacquer

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), nashiji ("pear-skinned" ground), and kanagai (sheet-gold appliqué) techniques, and with applied kirigane (cut gold and silver)

Maki-e lacquer;

Lacquer on wood with decoration in gold, silver, and sabi urushi (thick lacquer paste) utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques, with applied kirigane (cut gold and silver) and with sheet-lead inlays; stone and metal fittings

Lacquer on wood with decoration in black and gold utilizing the hiramaki-e (low-relief sprinkled design), takamaki-e (high-relief sprinkled design), and nashiji ("pear-skinned" ground) techniques; shakudo (copper-gold alloy) fittings

Lacquer on paulownia wood

Lacquer on wood with Namban-style decoration in gold and silver utilizing the hiramaki-e (low-relief sprinkled design) and harigaki (linear incising) techniques, and with raden (mother-of-pearl) inlays; metal fittings

Cast iron with localized areas of gilding; the interior of the box and cover lined with hammered silver purportedly designed by Miochin (1624-1642)

Lacquer on wood

Maki-e designs in gold and silver on nashi-ji lacquer ground

Light gray stoneware with iron-saturated russet-brown and black glaze

Lacquer on wood with decoration in sabi urushi (thick lacquer paste) and gold utilizing the hiramaki-e (low-relief sprinkled design) technique and with appliqués of lead foil and raden (mother-of-pearl) inlays; stone and copper fittings