18th - 19th century
The painting depicts the joyous moment of the birth of King Dasharatha’s three wives’ sons – Kaushalya’s Rama, Kaikeyi’s Bharata, Sumitra’s Lakshmana and Shatrughna. The dark-skinned Rama is seen with his mother Kaushalya on the far left, while the dark-skinned Bharata, and the light-skinned Lakshmana and Shatrughna are on the far left. In the lower register, king Dasharatha of Ayodhya sits opposite the group of sages and priests who performed the ritual which helped him obtain sons. According to the text of the Indian Epic Ramayana, he donated cows to the priests as a token of his gratitude. On the reverse of this painting, is another depiction of the new mothers with their sons. This double-sided folio possibly belongs to a Ramayana manuscript produced in Sirohi. Other folios from the same manuscript in the Harvard Art Museums’ collections are 1973.164, 1973.165, 1973.166.A, 1973.166.B, 1973.167, 1973.168.B, 1973.169, 1973.170.A, 1973.170.B, 1973.171. Rajput, Rajasthani, Sirohi School.
25.7 x 30.6 cm (10 1/8 x 12 1/16 in.)
Ink, opaque watercolor and gold on paper
19th-20th centuryPersianInk, opaque watercolor and silver on paper
19th centuryPersianCalligraphy; ink, opaque watercolor and gold on paper, with stamped and tooled leather binding
16th centuryPersianBooklet manuscript; ink on paper; dark, gray-brown paper, pages glued at binding, no hard cover
13th centuryJapaneseInk, opaque watercolor and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
15th centuryOttoman?Paper-cord-bound book; ink on paper
19th centuryJapaneseInk, opaque watercolor and gold on paper
13th centuryEgyptianInk and opaque watercolor on parchment
12th centuryArmenianDouble-sided, detached leaf from an incomplete manuscript: ink, color, and gold on blue paper
18th centuryNepaleseOpaque watercolor and gold on paper
16th centuryPersian