first half of the 17th century
The Iranian prince Siyavush is here shown seated on a golden throne after his marriage to Farangis and the festivities that followed the event. As a wedding gift, Farangis’s father, King Afrasiyab, granted Siyavush vast territories stretching to the Sea of China, as well as a golden throne and crown. The painting clearly shows these objects, and the red curtains ornamented with Chinese cloud forms emphasize the proximity of China. In style, the painting can be related to works following the visual tradition of Riza ?Abbasi from the 1630s.
37.3 x 24.6 cm (14 11/16 x 9 11/16 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1995-2002), gift; to Harvard Art Museums, 2002.
Ink, opaque watercolor and gold on paper
17th centuryPersianLacquer with gold
16th-17th centuryPersianInk, colors, and gold on paper
17th centuryPersianCalligraphy; ink, opaque watercolor and gold on paper
16th-17th centuryPersianInk and color on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
16th-17th centuryPersianInk and gold on paper
16th-17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianBlack ink, opaque watercolor, and gold on off-white paper, with underdrawing in red ink
16th-17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersian