This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript has 325 folios and is copied in nastaliq script. There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama. There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase. Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control. Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
36.8 x 23.5 cm (14 1/2 x 9 1/4 in.)
George McFadden, New York, (by 1987-1988), sold; to José M.Soriano, New York, (1988-2014), gift; to the Harvard Art Museums, 2014.
Calligraphy; ink on paper, with morocco binding
16th centuryOttomanInk, opaque watercolor, and gold on paper
15th centuryIslamicInk, opaque watercolor and gold on parchment
10th-11th centuryIslamicInk, opaque watercolor and gold on paper
14th centuryArabInk, colors, and gold on paper
16th centuryPersianCalligraphy; ink, opaque watercolor and gold on paper, lacquer binding
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
14th centuryPersianInk, opaque watercolor and gold on paper
17th centuryPersianHorizontal accordion-fold album; ink, color, and gold on paper; with lacquered wood covers
19th centuryThaiDouble-sided, detached-leaf manuscript (incomplete) with some illustrations; ink, color, and gold on black paper; with dated colophon
18th centuryNepaleseThe twenty-third of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapanese