16th century
This page features a shamsa (sun), an illuminated medallion in which the title of a book or chapter was often inscribed. This shamsa is composed of abstract and floral forms in gold and blue surrounding a plain gold circular center, which has been repainted. An underlying inscription is detectable via X-ray, but unfortunately only one word can be read: as?abi (lords or possessors). Repainting aside, the shamsa is executed with delicate brushwork and careful attention to detail. Balanced and symmetrical in composition and palette, it compares well with other illumination produced in Central Asia and Iran during the sixteenth and seventeenth centuries.
26.5 x 14.6 cm (10 7/16 x 5 3/4 in.)
Stanford and Norma Jean Calderwood, Belmont, MA (by 1998-2002), gift; to Harvard Art Museums, 2002.
Ink, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianBlack ink, opaque watercolor, gold, and silver on off-white paper, with underdrawing in black ink
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th and 19th centuryPersianInk and gold on paper
16th-17th centuryPersianPainting with text; ink, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, opaque watercolor and gold on paper
16th centuryPersianInk, colors, and gold on paper
16th centuryPersian