1896 - 1898
each painting proper: H. 87.5 x W. 30.8 cm (34 7/16 x 12 1/8 in.) each mounting, including cord and roller ends: H. 172.7 x W. 45.4 cm (68 x 17 7/8 in.)
[Kang Collection, New York (2005)] sold; to Harvard University Art Museums, 2005.
Hanging scroll; ink and slight color on paper; with inscription, signature, and two seals of the artist
19th-20th centuryKoreanHanging scroll; ink on paper; with artist's signature
19th centuryKoreanSet of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" on the scroll at the far left; with one large seal of the artist on each scroll and with two additional seals of the artist following the signature on the scroll at the far left
19th centuryKoreanTen-panel folding screen; ink on silk; with signature reading "Sŏk-p’a ch’il-ship-sam-se no-in chak" [Done by the seventy three year old man Sŏk-p’a]; with seals of the artist reading "Taewŏnkun chang" and "Sŏkp’a" following the signature
19th centuryKoreanHanging scroll mounted as an album leaf; ink and color on silk
18th-19th centuryKoreanSection of a hanging scroll mounted on a panel and framed; ink and colors on paper
18th-19th centuryKoreanFolding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with an inscription by the artist; with one seal of the artist
19th centuryKoreanOne of a set of four hanging scrolls; ink on silk; with one square, red, relief seal reading "Yang Tŭk Pu Saeng Il Se Ch'o"
19th centuryKoreanLarge album leaf now framed and glazed; ink and slight color on silk; with one seal, perhaps a seal of the artist
19th centuryKoreanHanging scroll; ink and color on silk
19th centuryKoreanHanging scroll; ink on paper; with two seals of the artist
19th centuryKoreanEight-panel folding screen; ink on sky-blue tinted paper; each of the eight paintings with artist's inscription followed by a signature reading "Soho" (Chinese, "Xiaohu"); the first (i.e., far right) painting also with a signature of the artist reading "Kim Ŭng-wŏn"; each inscription preceded by an elongated elliptical red seal and each signature followed by two red seals, all the seals now virtually obliterated through abrasion
19th-20th centuryKorean