18th-early 19th century
This painting is mounted and framed as a discrete album leaf. Done in ink and colors on paper, the painting, which might originally have been mounted as a hanging scroll, presumably came from a larger set of multiples, each representing an arhat (Korean: nahan; Chinese: luohan) -- saintly, enlightened beings who protect the Buddhist faith. This painting depicts an arhat clad in a pink monk’s robe, embellished with a red sash and a green cape, standing at the left edge of the composition beside a tall blue-and-green rock and beneath an old, gnarled tree branch with red and green foliage. A halo encircles the arhat's head. Dressed in a russet robe and wearing a black hat with long ribbons trailing at the back, an attendant stands at the right edge of the composition. The attendant holds the upper edge of a hanging scroll, which the arhat is unrolling. The scroll, which represents an ink painting and which is mounted in red and black, represents a bodhisattva seated on a rock. A green rock occupies the lower left corner of the composition; the even-toned green ground that traverses the foreground fades away in the middle and backgrounds to suggest distant space.
painting proper: H. 49.8 x W. 46 cm (19 5/8 x 18 1/8 in.) frame: H. 71.8 x W. 61 cm (28 1/4 x 24 in.)
John M. Lyden, New York, (1965-1987). [Kang Collection, New York (by 1995)], sold; Ralph C Marcove, New York (1995-2001), inherited; by Christina J. Marcove, New York (2001-2015), gift; to the Harvard Art Museums.

Oil on canvas
Oil on canvas
19th centuryFrenchOil on canvas
19th-20th centuryAmericanOil on canvas
19th centuryAmericanTempera on wood
18th centuryByzantineSecond of two handscrolls; ink, color, gold and silver on paper
17th centuryJapaneseWatercolor on ivory
18th centuryAmericanWatercolor on ivory
18th centuryBritishOpaque watercolor on paper
19th centuryIndian
Ink, wash, watercolor, pencil on paper
20th centuryAmericanOil on canvas
16th centuryItalian, VenetianOil and gold on canvas
18th centuryPeruvian