18th-early 19th century
This painting is mounted and framed as a discrete album leaf. Done in ink and colors on paper, the painting, which might originally have been mounted as a hanging scroll, presumably came from a larger set of multiples, each representing an arhat (Korean: nahan; Chinese: luohan) -- saintly, enlightened beings who protect the Buddhist faith. This painting depicts an arhat sitting on the back of a spotted white deer in the center of the composition. The arhat's grayish blue monk’s robe sports modest decoration painted in gold; his patchwork cape boasts squares of red fabric embellished with gold designs within black borders. At the right edge of the composition stands an attendant dressed in a red robe, a large hat made of spotted bamboo hangs from a string around the attendant's neck and rests at the middle of his back. The two figures appear in a confined landscape of the archaistic blue-and-green type. Sprigs of bamboo crown the tall rock that rises at the left edge, while a plant with orange blossoms grows at its base. A banana plant and stylized flowers decorate the faceted rock that borders the right edge. A rippling stream crosses the center of the composition, separating the even-toned green foreground from the distant background.
painting proper: H. 49.8 x W. 46 cm (19 5/8 x 18 1/8 in.) frame: H. 71.8 x W. 61 cm (28 1/4 x 24 in.)
John M. Lyden, New York, (1965-1987). [Kang Collection, New York (by 1995)], sold; Ralph C Marcove, New York (1995-2001), inherited; by Christina J. Marcove, New York (2001-2015), gift; to the Harvard Art Museums.
Oil on canvas
19th-20th centuryAmericanOil on canvas
19th-20th centuryFrenchTanzaku (elongated vertical poetry slip) mounted as a hanging scroll; ink, color and gold on silk, signed Insho and with seal of the artist
20th centuryJapaneseSpackle, acrylic resin,and dry pigment on canvas
20th centuryAmericanAcrylic on lead on wood
20th centuryGermanSketch pasted into an accordion fold book; ink and color on paper
ChineseOil on canvas
20th centuryAmericanOil on canvas
19th centuryGermanWatercolor on paper
19th-20th centuryOil on canvas
16th centuryItalian, VenetianRight screen from a pair of two-panel folding screens; ink and color on gold paper
18th-19th centuryJapaneseOil on canvas
19th centuryDutch