Artists' ToolsJapanese

Baren (tool used to rub the reverse of a woodblock print to in order to transfer the pigment)

Classification

Artists' Tools

Culture

Japanese

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

H. 1.8 x Diam. 14.2 cm (11/16 x 5 9/16 in.)

Related Artworks

Artists' Tools

Katagami Textile Stencil with Stylized Diagonal Bamboo Design

Unknown Artist, Late Edo-Meiji period, 19th-early 20th century

Chūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement

19th-20th centuryJapanese

Artists' Tools

Double-sided wooden printing block: one side showing the background from an Omi hakkei series, the reverse showing a rain pattern

Utagawa Hiroshige 歌川広重, 19th century

Carved wood

19th centuryJapanese

Artists' Tools

Katagami Textile Stencil with Undulating Grass Design

Unknown Artist, Late Edo-Meiji period, 19th-early 20th century

Chūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement

19th-20th centuryJapanese

Artists' Tools

Katagami Textile Stencil with Carp and Net Design

Unknown Artist, Meiji-Taishō period, late 19th-early 20th century

Daihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique

19th-20th centuryJapanese

Artists' Tools

Katagami Textile Stencil with Carp and Wave Design

Unknown Artist, Meiji-Shōwa period, late 19th-early 20th century

Daihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques

19th-20th centuryJapanese

Wood

Katagami Textile Stencil with Knarled Plum Branch Design

Unknown Artist, Late Edo-Meiji period, 19th-early 20th century

Chūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement

19th-20th centuryJapanese

Artists' Tools

Katagami Textile Stencil with Double Interlaced Circle Design

Unknown Artist, Late Edo-Meiji period, 19th-early 20th century

Chūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "tsukibori" (thrust-carving) techniques; with ink

19th-20th centuryJapanese

Artists' Tools

Katagami Textile Stencil with Miniature Pattern (Komon) of Stylized Plants and Undulating Lines

Unknown Artist, Late Edo-Meiji period, 19th-early 20th century

Chūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques; with ink

19th-20th centuryJapanese

Artists' Tools

Double-sided wooden printing block: on one side a facsimile of the keyblock of Hiroshige's Clearing Storm over Awazu (Awazu no seiran), from the series Eight Views of Omi (Omi hakkei), on the reverse an anonymous green colorblock of willow branches in a storm

Utagawa Hiroshige 歌川広重, 1891

Carved cherry wood

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Artists' Tools

Katagami Textile Stencil with Checkerboard Design of Cherry Petals and Squares of Horizontal Lines

Unknown Artist, Late Edo-Meiji period, 19th-early 20th century

Koban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique

19th-20th centuryJapanese

Artists' Tools

Katagami Textile Stencil with Diagonal "Ikat" Plaid Design

Unknown Artist, Meiji-Shōwa period, 20th century

Sansun-okuri (3 "sun" repeat-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique

20th centuryJapanese