Mountain Landscape with Waterfall, Village, and Distant Pagoda

Six-panel folding screen; ink and light colors on silk; with signature reading "Hyo-san"; with seals reading "Hyo San" and "Kim Chae Tŏk In" at the end of the inscription on the last panel

Folding fan painting mounted as an album leaf; ink on paper; with signature purportedly of the artist reading "Kyŏm-chae"; with two seals purportedly of the artist, one of which reads "Wŏn-paek "

One of a set of four hanging scrolls; ink on silk; with signature reading "P'al-ship no-sŏk-in chak" followed by two seals of the artist reading "Tae Wŏn Kun Chang" and "Sŏk P'a"; and with an additional seal of the artist at the far left reading "Tam Tam Ryu Su Ŭi"

Folding album leaf (from an album of sixteen leaves) mounted as a hanging scroll; ink on paper, with notation reading "Maedoin chak" (in Chinese, "Meidaoren zuo"), indicating that the painting is in the manner of Wu Zhen; with a square, red, relief seal of the artist redading "Yu Hyang Sŭp In"

One of a set of four hanging scrolls; ink on silk; with one square, red, intaglio seal of the artist reading "Kŭng Chŏng Ŭng Sŏn Pul Ch'a Saeng Yu Cha Son"

Hanging scroll; ink and light colors on paper; with seal of the artist reading..

Hanging scroll; ink and colors on paper; with square, red, intaglio seal impression reading "Cho Chung-muk in"

Folding album leaf mounted as a hanging scroll (from an album of sixteen leaves); ink on paper; with two inscriptions by the artist; with three seals of the artist

One of a set of four hanging scrolls; ink on silk; with one square, red intaglio seal of the artist reading "Yi Ho Rwei Rwei"

Section of a hanging scroll mounted on a panel and framed; ink and colors on paper

Eight-panel folding screen; ink and color on paper

Eight-panel folding screen; ink on sky-blue tinted paper; each of the eight paintings with artist's inscription followed by a signature reading "Soho" (Chinese, "Xiaohu"); the first (i.e., far right) painting also with a signature of the artist reading "Kim Ŭng-wŏn"; each inscription preceded by an elongated elliptical red seal and each signature followed by two red seals, all the seals now virtually obliterated through abrasion