1897, printed after 1906
image: 36.8 × 56.6 cm (14 1/2 × 22 5/16 in.) sheet: 48.2 × 64 cm (19 × 25 3/16 in.)
Edvard Munch, bequest; to city of Oslo. Munch Museet, traded, April 1974. Sold [through Kaare Berntsen A/S, Oslo]; to Philip A. and Lynn G. Straus, New York, 1975, bequest; to Harvard Art Museums, 2023
Woodcut from a sawn block in printed in black, red and greenish blue inks on off-white Japanese paper
19th centuryNorwegianWoodcut in black and grayish blue inks on off-white Japanese paper
19th-20th centuryNorwegianWoodcut printed in dark blue, light blue, orange, and green inks on cream wove paper
19th centuryNorwegianWoodcut printed in black ink and red and blue watercolor on cream wove paper, mounted by the artist on coarse brown paper
19th centuryNorwegianWoodcut with gouges and fretsaw printed in black, reddish-orange, blue, and gray inks on thin Japanese paper mounted on a tan wove sheet, the mount's edges tinted to match the woman's face
19th centuryNorwegianWoodcut sawn in three pieces printed in black, red, yellow, and blue inks on brown wove paper
19th centuryNorwegianWoodcut printed in black, greenish gray, turquoise, and pale orange ink on cream wove paper, with dark blue crayon added to minimize the white outline of the man's head and torso
19th centuryNorwegianWoodcut printed in black, red, and teal blue inks on off-white, thin, laid Japanese paper
19th centuryNorwegianWoodcut printed in turquoise-green and pale and dark orange inks on off-white wove paper
19th centuryNorwegianWoodcut from two blocks cut with a fret saw printed in black, orange, and gray inks on off-white Japanese paper
19th centuryNorwegianWoodcut printed in black ink on cream Japanese paper
19th centuryNorwegianWoodcut in pale rose and pale blue with oil and gouache in black, red, yellow, blue, and green on heavy off-white wove paper washed with brown watercolor to make it a tan shade
19th centuryNorwegian