1897, printed after 1906
image: 36.8 × 56.6 cm (14 1/2 × 22 5/16 in.) sheet: 48.2 × 64 cm (19 × 25 3/16 in.)
Edvard Munch, bequest; to city of Oslo. Munch Museet, traded, April 1974. Sold [through Kaare Berntsen A/S, Oslo]; to Philip A. and Lynn G. Straus, New York, 1975, bequest; to Harvard Art Museums, 2023
Woodcut from two blocks printed in black and greenish gray, handcolored in pale orange, on Japanese paper
19th centuryNorwegianWoodcut printed in black, dark blue, brown and green ink, with added green crayon to fill in the missing portion of the green block, on cream Japanese paper
19th centuryNorwegianWoodcut printed in black ink and red and blue watercolor on cream wove paper, mounted by the artist on coarse brown paper
19th centuryNorwegianWoodcut printed in black, greenish gray, turquoise, and pale orange ink on cream wove paper, with dark blue crayon added to minimize the white outline of the man's head and torso
19th centuryNorwegianWoodcut in printed in pale green, black, dark red, and light and dark orange inks on Japanese paper
19th centuryNorwegianWoodcut printed in black ink with hand coloring in blue, green, orange, and yellow crayons and blue and red watercolor on off-white China paper
19th centuryNorwegianWoodcut with gouges printed in red ink on Japan paper
19th centuryNorwegianColor woodcut with paper overlays printed in black, turquoise, yellow, and red inks, with added orange watercolor on the man's head, on cream wove paper discolored to tan
19th centuryNorwegianWoodcut printed in black ink on very thin Japanese paper
19th centuryNorwegianWoodcut sawn in three pieces printed in black, red, yellow, and blue inks on brown wove paper
19th centuryNorwegianWoodcut from two blocks cut with a fret saw printed in black, orange, and gray inks on off-white Japanese paper
19th centuryNorwegianWoodcut in pale rose and pale blue with oil and gouache in black, red, yellow, blue, and green on heavy off-white wove paper washed with brown watercolor to make it a tan shade
19th centuryNorwegian