1896
sheet: 45.5 × 35.9 cm (17 15/16 × 14 1/8 in.) mount: 69.7 × 66.8 cm (27 7/16 × 26 5/16 in.)
[Kaare Bertsen A/S, Oslo, 1983].
Woodcut printed in black, red, and teal blue inks on off-white, thin, laid Japanese paper
19th centuryNorwegianWoodcut printed in black, greenish gray, turquoise, and pale orange ink on cream wove paper, with dark blue crayon added to minimize the white outline of the man's head and torso
19th centuryNorwegianWoodcut from two blocks sawn into sections printed in orange, blue, dark blue, and green on white wove paper
19th centuryNorwegianWoodcut printed in black ink on cream Japanese paper
19th centuryNorwegianWoodcut printed in black ink on very thin Japanese paper
19th centuryNorwegianWoodcut in printed in pale green, black, dark red, and light and dark orange inks on Japanese paper
19th centuryNorwegianWoodcut printed in black ink with red watercolor additions on off-white wove paper discolored to tan, mounted by the artist on coarse brown paper
19th centuryNorwegianWoodcut in pale rose and pale blue with oil and gouache in black, red, yellow, blue, and green on heavy off-white wove paper washed with brown watercolor to make it a tan shade
19th centuryNorwegianWoodcut printed in black ink with hand coloring in blue, green, orange, and yellow crayons and blue and red watercolor on off-white China paper
19th centuryNorwegianWoodcut printed in orange, black, and green inks on off-white laid Japanese paper
19th centuryNorwegianWoodcut from two blocks cut into sections printed in gray, bluish black, and deep brownish orange inks on off-white wove paper
19th centuryNorwegianWoodcut with gouges and fretsaw printed in black, reddish-orange, blue, and gray inks on thin Japanese paper mounted on a tan wove sheet, the mount's edges tinted to match the woman's face
19th centuryNorwegian