1845
The small manuscript of 72 folios opens with an illuminated European-style sarlawh featuring flowers and acanthus leaves. The text is written in Ottoman ta‘liq script. The preface in Ottoman Turkish is arranged in 17 lines to a page, and the verses 12 lines in two columns. Colored papers are used throughout the text. All the folios are decorated with horizontal bars in gold and blue/green separating the quatrains. The manuscript is copied by Sayyid 'Abdi in 1261/1845. The green leather binding is gilded, and the doublure (inside cove is covered with blue paper with embossed patterns.
20 x 14 cm (7 7/8 x 5 1/2 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
17th and 19th centuriesPersianOpaque watercolor and ink on paper
18th-19th centuryOttomanTwo-sided horizontal accordion-fold album; ink and color on paper
19th centuryThaiInk on paper
19th centurySyrianIndividual leaf from a palm-leaf manuscript; ink, color, and gold on palm leaf
19th centuryThaiInk, colors, and gold on paper
19th centuryPersianInk and gold on paper; velvet binding with leather edges
19th centuryPersianOpaque watercolor on paper
18th-19th centuryIndianCover: watercolor, gold-colored pigments, and lacquer on pasteboard Paintings: ink, watercolor, and gold on off-white laid paper Text: Ink, gold, and colors on paper
19th centuryPersianTwo-sided, horizontal, accordion-fold manuscript; ink, color and gold on paper
19th centuryThaiOpaque watercolor on paper
18th-19th centuryIndianInk, opaque watercolor and gold on paper
19th centuryPersian