1845
The small manuscript of 72 folios opens with an illuminated European-style sarlawh featuring flowers and acanthus leaves. The text is written in Ottoman ta‘liq script. The preface in Ottoman Turkish is arranged in 17 lines to a page, and the verses 12 lines in two columns. Colored papers are used throughout the text. All the folios are decorated with horizontal bars in gold and blue/green separating the quatrains. The manuscript is copied by Sayyid 'Abdi in 1261/1845. The green leather binding is gilded, and the doublure (inside cove is covered with blue paper with embossed patterns.
20 x 14 cm (7 7/8 x 5 1/2 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
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19th centuryThaiOpaque watercolor, ink, and gold on paper; Rajput Style
19th centuryIndianInk, colors, and gold on paper
19th centuryOttomanPainting with text; ink, opaque watercolor and gold, with lacquer binding
19th centuryPersianInk, opaque watercolor and gold on paper
19th centuryOttomanInk, opaque watercolor and gold on paper
18th-19th centuryOttomanInk, opaque watercolor and gold on paper
19th centuryOttomanTwo-sided, horizontal, accordion-fold manuscript; ink, color, and gold on paper; with lacquered covers
19th-20th centuryThaiInk, colors, and gold on paper
19th centuryPersianWatercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, gold, and colors on paper (text)
17th-19th century