1883
The manuscript opens with double illuminated text pages written in shikasta nasta'liq script. The text areas comprise of 11 lines written in black ink, reserved as clouds over gold ground. The last page provides the name of the scribe (Muhammad 'Ali Munshi Shirazi), the patron (Aqa-yi Sahib....), and the date Rajab 1301 H (April-May 1884). All the text panels have been remounted on thin grayish paper. The lacquer binding has intertwining grape vines growing upward from the ground and filling the entire field with smaller branches and leaves. The decoration is painted in gold over a black ground. The inner surfaces are decorated with a rectangle bisected on four sides by half circles traced in gold over a black ground.
23.8 × 14.1 × 1.8 cm (9 3/8 × 5 9/16 × 11/16 in.) Text area: 11 × 6.5 cm (4 5/16 × 2 9/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, colors, and gold on paper; leather binding with gilded tooling
19th centuryPersianInk and gold on paper
16th and 19th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk on paper
18th and 19th centuriesPersianWatercolor, gold-colored pigments, and lacquer on pasteboard (covers) Ink, colors, and gold on paper (text)
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
19th centuryPersianInk and gold on paper
19th centuryPersian