1630-1631; 1856-1857
The manuscript is composed of earlier text pages remounted on larger folios. The original text area is very small and copied in naskh script in black ink, 12 lines to a page. According to the colophon it was copied by Fathallah ibn Muhammad `Ali Isfahani on 25 Safar 1040 H (3 October 1630). These folios were later remounted on larger folios which are copied with Arabic commentary in a different hand. The name of this second scribe, Ibn Haji Mirza Muhammad Taqi Abd al-Husayn Isfahani, can be found in the margin of the colophon page along with the date 1273 (1856-7) and the patron Mirza Muhammad Zaki, Vazir of Isfahan. The lacquer binding on the outer covers, datable to c. 1850-75, is decorated with a large rose branch on a tan ground. The inner covers have floral arabesques on a red ground in the field and a framing border filled with arabesques.
21.1 × 13.6 × 4 cm (8 5/16 × 5 3/8 × 1 9/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Double-sided, detached leaf from an incomplete manuscript; ink on palm leaf
12th centuryNepaleseInk, colors, and gold on paper
15th centuryPersianInk and gold on parchment
9th centuryArabInk, opaque watercolor and gold on paper
19th centuryOttomanInk, opaque watercolor and gold on paper
17th centuryPersianInk and opaque watercolor on paper
13th centuryPersianInk, colors, and gold on paper
16th centuryManuscript booklet; ink on paper; heavy brown paper covers; pages incised with vertical guide lines
13th centuryJapaneseHorizontal, accordion-fold manuscript; ink and color on blue paper
19th centuryThaiInk, opaque watercolor and gold on paper
15th centuryPersianInk and pigments on paper
18th centuryNepaleseInk, opaque watercolor and gold on paper
17th centuryOttoman