1836
The manuscript opens with an illuminated sarlawh. The text is in Arabic and is copied in large naskh, 12 lines to a page. All folios are decorated with gold floral motifs in the margins and interliner gilding. The name of God (allahumma) and the prayer (al-salawat) are written in gold throughout the text. The manuscript was copied by Ahmed Shamlu in H. 1252/1836 according to the colophon.
19 x 12 cm (7 1/2 x 4 3/4 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Cover: watercolor, gold-colored pigments, and lacquer on pasteboard Paintings: ink, watercolor, and gold on off-white laid paper Text: Ink, gold, and colors on paper
19th centuryPersianInk, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, colors, and gold on paper; leather binding with gilded tooling
19th centuryPersianWatercolor, gold-colored pigments, platy hematite particles, and lacquer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianCalligraphy; ink, opaque watercolor and gold on paper, with red lacquer binding
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
17th and 19th centuriesPersianCalligraphy; ink on paper
19th centuryPersianInk on paper
18th and 19th centuriesPersianInk and opaque watercolor on paper
18th-19th centuryPersian