1836
The manuscript opens with an illuminated sarlawh. The text is in Arabic and is copied in large naskh, 12 lines to a page. All folios are decorated with gold floral motifs in the margins and interliner gilding. The name of God (allahumma) and the prayer (al-salawat) are written in gold throughout the text. The manuscript was copied by Ahmed Shamlu in H. 1252/1836 according to the colophon.
19 x 12 cm (7 1/2 x 4 3/4 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, colors, and gold on paper
19th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, colors, and gold on paper
19th centuryPersianLacquer with opaque watercolor
19th centuryPersianWatercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
17th and 19th centuriesPersianInk, colors, and gold on paper; leather binding with gilded tooling
19th centuryPersianInk, colors, and gold on paper
19th centuryPersianPainting with text; ink, opaque watercolor and gold on paper
19th-20th centuryPersianInk, opaque watercolor and gold on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianWatercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
19th centuryPersianInk and gold on paper
16th and 19th centuryPersian