1836
The manuscript opens with an illuminated sarlawh. The text is in Arabic and is copied in large naskh, 12 lines to a page. All folios are decorated with gold floral motifs in the margins and interliner gilding. The name of God (allahumma) and the prayer (al-salawat) are written in gold throughout the text. The manuscript was copied by Ahmed Shamlu in H. 1252/1836 according to the colophon.
19 x 12 cm (7 1/2 x 4 3/4 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), loan; to Harvard Art Museums, 2015. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink, colors, and gold on paper; leather binding with gilded tooling
19th centuryPersianCover: watercolor, gold-colored pigments, and lacquer on pasteboard Paintings: ink, watercolor, and gold on off-white laid paper Text: Ink, gold, and colors on paper
19th centuryPersianWatercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard (covers) Ink, gold, and colors on paper (text)
17th and 19th centuriesPersianInk and gold on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, opaque watercolor and gold on paper, with lacquer binding
17th and 19th centuriesPersianInk, opaque watercolor and gold on paper
19th centuryPersianInk on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
19th-20th centuryPersianInk, opaque watercolor and gold on paper
18th and 19th centuriesPersianInk, colors, and gold on paper
19th centuryPersian