19th century
The top and lid of the ink holder are decorated with champleve enamel. A bust-length portrait of a woman wearing beads and a lace collar occupies the flange; two birds decorate the top of the lid.
2 x 7.4 x 2.8 cm (13/16 x 2 15/16 x 1 1/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Koban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseRock crystal, with red-and-white coral beads at either end, brass brace, and coral handle
19th centuryChineseInk on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique
19th-20th centuryJapaneseOpaque watercolor and lacquer over papier-maché
18th-19th centuryPersianChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapanese