19th century
2 x 5.9 x 2.7 cm (13/16 x 2 5/16 x 1 1/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Steel with gold overlay
19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseCut brown cardboard
19th-20th centuryAmericanSteel with openwork
19th centuryInk on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer over metallic layer on pasteboard
19th centuryOpaque watercolor, gold-colored pigments, and lacquer over brass and tin layers on pasteboard
19th centuryPersianWoodblock
19th centuryNorwegianWoodblock
19th-20th centuryNorwegianOpaque watercolor, gold-colored pigments, brass particles, and lacquer over brass layer on pasteboard
19th centuryKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapanese