19th century
2 x 5.9 x 2.7 cm (13/16 x 2 5/16 x 1 1/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink on carved wood
19th centuryChineseKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseWatercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianInk on carved wood
19th centuryChineseCast bronze
17th-19th centuryKoreanOne of a pair(?) of koban (small-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques; with black ink
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseOne of a pair of chūban (medium-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique; with blue pigment
19th-20th centuryJapaneseCarved and engraved wood; ten bordered columns of text per recto and per verso; twenty two characters per column. Text in Chinese characters.
18th-19th centuryKoreanDark green nephrite with black flects and gray veins (so-called spinach-green jade), the stone of Siberian origin, probably from the area around Lake Baikal
18th-19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th century