c. 1830-1850
Cover and lid with rounded ends. The top is decorated in horizontal format, with five small lobed medallions containing erotic imagery superimposed on floating blossoms, the whole set against a gold background. The sides are nearly identical, each bearing a symmetrical pattern of clumps of red and purple flowers springing from the ground line, against a light brown background. The inner lid, also in horizontal format, features a leafy plant, rooted at the center with branches extending to the ends of the lid. On the base, floral and foliate motifs are painted on a red background. The signature and date (painted on the inner lid), places the work in the mid-eighteenth century, but the figural imagery appears to be Qajar, to judge from the few elements of clothing.
5.1 × 5 × 28.3 cm (2 × 1 15/16 × 11 1/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, copper ribbons, and lacquer over brass layer on pasteboard
19th centuryPersianInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOpaque and semi-opaque watercolor on prepared pasteboard under shellac varnish
19th century