c. 1850-1875
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format. The top and sides are decorated with birds perching in branches bearing various blossoms and hazelnuts. The base and compartment are decorated with a gold arabesque on a red background.
4.1 × 4.3 × 24.9 cm (1 5/8 × 1 11/16 × 9 13/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor, gold-colored pigments, copper alloy particles, and lacquer over brass layer on pasteboard
19th centuryKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseCast bronze
17th-19th centuryKoreanDark green nephrite with black flects and gray veins (so-called spinach-green jade), the stone of Siberian origin, probably from the area around Lake Baikal
18th-19th centuryChineseCarved bamboo
19th-20th centuryChineseOpaque and semi-opaque watercolor on prepared pasteboard under non-original varnish
19th centuryGreenish white nephrite with gold-colored silk tassel
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer over brass layer on pasteboard; with ink holder
19th centuryInk on carved wood
19th centuryChineseCarved and engraved wood; ten bordered columns of text per recto and per verso; twenty two characters per column. Text in Chinese characters.
18th-19th centuryKoreanOne of a pair of chūban (medium-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving), "hikibori" (pull-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapanese