c. 1850-1900
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format. The top and sides are decorated with a continuous frieze of flowering plants with birds and flying insects on a gold background. On the base, a gold arabesque is loosely painted on a red background.
3.8 × 3.9 × 22.4 cm (1 1/2 × 1 9/16 × 8 13/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Carved wood
19th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryOil paint, gold-colored pigments, and lacquer on pasteboard
19th centuryOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOne of a pair(?) of koban (small-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques; with black ink
19th-20th centuryJapaneseWatercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryPersianStone
19th centuryAmericanCast bronze
17th-19th centuryKoreanInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapanese