19th century
2.3 x 7.7 x 2.9 cm (7/8 x 3 1/16 x 1 1/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Daihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseCast bronze
17th-19th centuryKoreanCast bronze
17th-19th centuryKoreanChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseGilt metal covered on top and sides with arabesque designs in cloisonné enamel
19th-20th centuryRussianChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "hikibori" (pull-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseCarved and engraved wood; ten bordered columns of text per recto and per verso; twenty two characters per column. Text in Chinese characters.
18th-19th centuryKoreanChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "hikibori" (pull-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseInk on carved wood
19th centuryChinese