1842-1843
Rectangular box with lift-off lid secured by a chain. The exterior of the lid is decorated in vertical format with a portrait of Muhammad Shah Qajar (r. 1834 48) seated on a chair like throne. The inside of the lid bears an image of a young dervish standing in an interior, with a staff and flowers. An inscription identifies the figure as Nur `Ali Shah (d. 1797), leader of the Ni’mat’ullahi Sufi order. The outside of the box is decorated with hunting scenes. On the base, a gold arabesque is painted on a red background.
5.2 × 6.3 × 27.7 cm (2 1/16 × 2 1/2 × 10 7/8 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th-20th centuryInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseSteel engraving
19th centuryGermanOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
18th-19th centuryDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseChosŏn white ware: porcelain with light blue glaze over carved, molded, and openwork decoration. Made at Punwŏn-ri, Kwangju-gun, Kyŏnggi province.
18th-19th centuryKoreanOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th century