c. 1850
Cover and sliding compartment with rounded ends. The top is decorated in vertical format with three cartouches containing figures. The central cartouche contains the Virgin and Child, a kneeling attendant, with and elderly male figure, perhaps a saint, clasping his hands in the background. The upper and lower cartouches feature three-quarter length portraits of European women with flowers in their hair. The sides are decorated with figural vignettes, interspersed with portrait medallions of European women and one man. On both front and back, the central vignette features a gathering of dervishes; rural scenes occupy the outermost vignettes. The base is painted with a gold arabesque against a red ground.
3.6 × 3.7 × 23.6 cm (1 7/16 × 1 7/16 × 9 5/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Steel with silver filigree
19th centuryOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th-20th centuryShemshad wood
19th centuryPersianWatercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryPersianChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseLacquered paper over coiled banana-fiber cord, wrapped in a banana leaf
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseOne of a pair of koban (small-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapanese