c. 1850
Cover and sliding compartment with rounded ends. The top is decorated in vertical format with three cartouches containing figures. The central cartouche contains the Virgin and Child, a kneeling attendant, with and elderly male figure, perhaps a saint, clasping his hands in the background. The upper and lower cartouches feature three-quarter length portraits of European women with flowers in their hair. The sides are decorated with figural vignettes, interspersed with portrait medallions of European women and one man. On both front and back, the central vignette features a gathering of dervishes; rural scenes occupy the outermost vignettes. The base is painted with a gold arabesque against a red ground.
3.6 × 3.7 × 23.6 cm (1 7/16 × 1 7/16 × 9 5/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink and color on carved wood
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19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryCarved and engraved wood; ten bordered columns of text per recto and per verso; twenty two characters per column. Text in Chinese characters.
18th-19th centuryKoreanLithographic crayon on limestone lithographic stone
19th centuryAustrianOil paint, gold-colored pigments, and lacquer on pasteboard
19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique
19th-20th centuryJapanese