c. 1850
Cover and sliding compartment with rounded ends. The top is decorated in vertical format with three cartouches containing figures. The central cartouche contains the Virgin and Child, a kneeling attendant, with and elderly male figure, perhaps a saint, clasping his hands in the background. The upper and lower cartouches feature three-quarter length portraits of European women with flowers in their hair. The sides are decorated with figural vignettes, interspersed with portrait medallions of European women and one man. On both front and back, the central vignette features a gathering of dervishes; rural scenes occupy the outermost vignettes. The base is painted with a gold arabesque against a red ground.
3.6 × 3.7 × 23.6 cm (1 7/16 × 1 7/16 × 9 5/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, copper alloy particles, and lacquer over brass layer on pasteboard
19th centuryPersianCast bronze
17th-19th centuryKoreanOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryDouble-sided carved wooden printing block
19th centuryJapaneseChosŏn white ware: porcelain with light blue glaze over carved, molded, and openwork decoration. Made at Punwŏn-ri, Kwangju-gun, Kyŏnggi province.
18th-19th centuryKoreanChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOil paint, gold-colored pigments, and lacquer on pasteboard
19th centuryOne of a pair of chūban (medium-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th century