c. 1850
Cover and sliding compartment with rounded ends. The top is decorated in vertical format with three cartouches containing figures. The central cartouche contains the Virgin and Child, a kneeling attendant, with and elderly male figure, perhaps a saint, clasping his hands in the background. The upper and lower cartouches feature three-quarter length portraits of European women with flowers in their hair. The sides are decorated with figural vignettes, interspersed with portrait medallions of European women and one man. On both front and back, the central vignette features a gathering of dervishes; rural scenes occupy the outermost vignettes. The base is painted with a gold arabesque against a red ground.
3.6 × 3.7 × 23.6 cm (1 7/16 × 1 7/16 × 9 5/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Steel with openwork and colored stones
19th centuryInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer over brass and tin layers on pasteboard
19th centuryPersianChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques; with ink
19th-20th centuryJapaneseKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseGilt metal covered on top and sides with arabesque designs in cloisonné enamel
19th-20th centuryRussianInk on carved wood
19th centuryChinese