c. 1875-1900
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format. The top and sides are densely painted in black on a tan background with birds, flying insects, and a variety of flowers. The base bears a gold arabesque on a red background.
3.9 × 3.8 × 22.7 cm (1 9/16 × 1 1/2 × 8 15/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Ink and color on carved wood
19th centuryChineseDark green nephrite with black flects and gray veins (so-called spinach-green jade), the stone of Siberian origin, probably from the area around Lake Baikal
18th-19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryInk and color on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer over brass layer on pasteboard
19th centuryPersianInk on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) technique
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapanese