April 8, 1813
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with cartouches containing Arabic and Persian inscriptions and floral sprays, and medallions containing bust portraits of an Indian and a European youth. On the sides, the floral motifs alternate with cartouches with animals in combat. The outer sides of the sliding compartment also bear inscription cartouches. The multiple inscriptions, written in naskh and riqa’ scripts, praise the high quality of calligraphy on the pen box as well as the merits of calligraphy and calligraphers in general.
5 × 5.4 × 26.7 cm (1 15/16 × 2 1/8 × 10 1/2 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Black lithographic crayon on stone
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19th-20th centuryJapaneseKoban (small-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "dōgubori" (punch-carving), and "hikibori" (pull-carving) techniques
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19th centuryJapaneseDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique
19th-20th centuryJapanese