1848-1849
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with three cartouches framed in gold scrollwork all set against a black background filled with floating bouquets of flowers. In the center, the Holy Family is depicted with female attendants and an angel. On the left and right are portrait busts of European women with candlestick curls and flowers in their hair. The sides are composed in the same manner, but the central cartouches contain scenes of fortified towns by a shore. The base of the cover and sides of the sliding compartment bear gold arabesques on a black ground.
3.9 × 3.9 × 22.1 cm (1 9/16 × 1 9/16 × 8 11/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Opaque watercolor, gold-colored pigments, platy hematite particles, and lacquer on pasteboard
19th centuryOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryPersianInk on carved wood
19th centuryChineseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving), "hikibori" (pull-carving), and "tsukibori" (thrust-carving) techniques, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseSteel with gold overlay
19th centuryInk on carved wood
19th centuryChineseOne of a pair of koban (small-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th-20th centuryKakuban (square-shaped) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapanese