1881-1882
Cover and sliding compartment with rounded ends. The top is decorated in horizontal format. The top and sides are decorated with a continuous frieze of birds and insects in flowers that sprout from a ground line, against a black background. The base bears a gold arabesque on a red ground.
3.7 × 3.7 × 22.4 cm (1 7/16 × 1 7/16 × 8 13/16 in.)
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014. Note: Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Daihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving), and "tsukibori" (thrust-carving) techniques
19th-20th centuryJapaneseInk on carved wood
19th centuryChineseInk on carved wood
19th centuryChineseOpaque watercolor, gold-colored pigments, and lacquer on pasteboard
19th centuryOpaque and semi-opaque watercolor on prepared pasteboard under shellac varnish
19th centuryBlue-and-white ware: porcelain with appliqué molded spouts and with decoration painted in underglaze cobalt blue. From the kilns at Punwŏn-ri, Kwangju-gun, Kyŏnggi province.
18th-19th centuryKoreanChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "kiribori" (drill-carving) and "dōgubori" (punch-carving) techniques
19th-20th centuryJapaneseShemshad wood
19th centuryPersianUncut woodblock
19th centuryFrenchDaihan (large-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapaneseOne of a pair(?) of koban (small-sized) sheets of minogami (mulberry bark paper) treated with persimmon juice and cut using the "dōgubori" (punch-carving) and "tsukibori" (thrust-carving) techniques; with black ink
19th-20th centuryJapaneseChūban (medium-sized) minogami (mulberry bark paper) treated with persimmon juice and cut using the "tsukibori" (thrust-carving) technique, with "ito-ire" (silk-web) reinforcement
19th-20th centuryJapanese