This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript has 325 folios and is copied in nastaliq script. There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama. There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase. Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control. Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
36.8 x 23.5 cm (14 1/2 x 9 1/4 in.)
George McFadden, New York, (by 1987-1988), sold; to José M.Soriano, New York, (1988-2014), gift; to the Harvard Art Museums, 2014.
Ink, opaque watercolor and gold on paper
17th centuryIndianThe sixth of a series of 54 backing sheets mounted in an album; ink and color on paper
16th centuryJapaneseInk, opaque watercolor and gold on paper
16th-17th centuryOttomanHandscroll; ink on pale yellow-dyed paper, with seal impressions in darkened red ink; seal of Tōdai-ji
8th centuryJapaneseInk, colors, and gold on paper
17th-18th centuryIndianInk, opaque watercolor and gold on paper; Rajput Style, Malpura School
18th centuryIndianInk, opaque watercolor and gold on paper
17th centuryPersianInk, opaque watercolor and gold on paper
16th and 19th centuryPersianInk, opaque watercolor and gold on paper
18th-19th centuryOttomanTwo-sided, horizontal, accordion-fold manuscript; ink, color, and gold on paper; with lacquered cover
19th centuryThaiInk, opaque watercolor and gold on paper
13th centuryEgyptianOpaque watercolor and gold on paper
17th centuryOttoman