c. 1640-1660
Bangali Ragini is commonly represented by an ascetic who sits in meditation within or beside a small shrine and holds prayer beads. In this painting, the young ascetic sits in a shrine holding his prayer beads in his right hand. Flanking the shrine’s large onion-shaped dome are two peacocks. In front of the shrine is a lotus-filled pond. This painting is a pictorial metaphor for a raga, a musical phrase that is used as the basis for improvisation. This folio most likely belonged to an album of Ragamala or "Garland of Melodies" folios produced in Malwa. Sanskrit verses associated with the raga or the ragini depicted on the recto are written on the verso. Other folios from the same series in the Harvard Art Museum’s collection are objects 1972.346, 1972.347, 1973.156, 1973.157, 1973.158, 1973.174. Rajput, Rajasthani, Malwa School.
26.8 x 18.7 cm (10 9/16 x 7 3/8 in.)
Opaque watercolor and gold on paper
17th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianInk , Opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
16th-17th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianInk and opaque watercolor on paper
17th centuryIndianInk, opaque watercolor and gold on paper; Mughal Style
17th centuryIndianInk, colors, and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper; Mughal Style
17th centuryIndianInk, opaque watercolor and gold on paper, modern binding
17th centuryIndian