PrintsJapanese19th century

True View of the Newly Built Azuma Bridge

1887 (Meiji 20)

Artists

Utagawa Kunisada III 歌川国貞Artist

Kichibei Tsutsumi 堤吉兵衛Publisher

Description

Triptych: 2007.214.114.1 (right), 2007.214.114.2 (center), 2007.214.114.3 (left)

Classification

Prints

Medium

Woodblock print (nishiki-e) triptych; ink and color on paper

Culture

Japanese

Period

Meiji era, 1868-1912

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

vertical ōban triptych: H. 36.8 cm x W. 73.7 cm (14 1/2 x 29 in.)

Related Artworks

Prints

Procession of Courtesans and Attendants in New Year's Attire, with poems by Yūzantei Kinuginu no Asabune and Setsugetsuen Shiki no Hanamori

Utagawa Kunisada 歌川国貞, c. 1825 (Bunsei 8)

Woodblock print (surimono); ink, color, and metallic pigments on paper

19th centuryJapanese

Prints

Soken gafu, Kusabana no bu (Album of Drawings by Soken, Section on Plants and Flowers)

Yamaguchi Soken 山口素絢, Late Edo period, 1806

Ink on paper

19th centuryJapanese

Prints

Blue Celadon Ladle Stand (Ao seiji shakutate), from the series Five Colors of Tea Utensils (Chaki goshiki shose), with poems by Yufusha Umetsuna, Eirakutei Tomozuru and Garyuen

Kubo Shunman 窪俊満, Edo period, circa 1817-1819

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

The Night Attack of the Soga Brothers

Utagawa Yoshikazu, 1858, 9th month

Right sheet from an ukiyo-e woodblock-printed ōban triptych; ink and color on paper

19th centuryJapanese

Prints

TOKAIDO GOJU-SAN-TSUGI

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

Li Qi (J: Riki)/ Metal (Kane), from the series Five Elements of the Tale of the Water Margins (Suiko gogyō), with poems by Seiyōkan Umeyo (Baise) and Kagendō Tsugiho

Totoya Hokkei 魚屋北渓, Edo period, probably 1832

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment on paper, with printed signature reading "Go Hokkei"

19th centuryJapanese

Prints

Tōhō and Tiger, from the series Immortals in the Moon (Ressen Asakusagawa gessen zu)

Kubo Shunman 窪俊満, early 19th century

Woodblock-printed surimono; ink, color, metallic pigments on paper

19th centuryJapanese

Prints

Bamboo Yards, Kyōbashi Bridge (Kyōbashi Takegashi), Number 76 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1857 (12th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Under Mannen Bridge at Fukagawa (Fukagawa Mannen-bashi no shita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

A HUNDRED VIEWS OF FAMOUS PLACES IN THE VARIOUS PROVINCES, "KYOTO SHIJO YU SUZUMI"

Utagawa Hiroshige II, Late Edo period, dated 1859

Ink on paper

19th centuryJapanese

Prints

Picture of the Current Confrontation of Americans in Japan (Kono tabi amerikajin dai nihon taimen no zu)

Unknown Artist, c. 1857

Woodblock print; ink on paper

19th centuryJapanese

Prints

Priest Huiyuan (Eon Hōshi), from the series Three Laughers at Children's Playful Spirits (Kokei ni sanshō)

Kitagawa Utamaro 喜多川歌麿, c. 1802 (Kyōwa 2)

Woodblock print (nishiki-e); ink and color on paper

19th centuryJapanese