PrintsJapanese19th century

Courtesan as Kinkō (Qin Gao), from the series Courtesans Viewed as the Immortals of Ressenden, One of Seven (Keisei mitate Ressenden, shichiban no uchi)

c. 1824

Artists

Yashima Gakutei 八島岳亭Artist

Classification

Prints

Medium

Woodblock print (surimono); ink, color, embossing, and metallic pigments on paper

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

Shikishiban format: H. 20.8 cm x W. 18.6 cm (8 3/16 x 7 5/16 in.)

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Crowd at the Year-end Fair at Kinryūzan Temple in Asakusa (Asakusa Kinryūzan toshi no ichi gunshū), from the series Famous Places in the Eastern Capital (Tōto meisho)

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Miishoho-ji, from the series Eight Views of Lake Biwa (ōmi hakkei) in fan (uchiwa) shape

Utagawa Hiroshige 歌川広重, Edo period, dated 1852

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Triptych: Children Playing (Kodomo asobi)

Keisai Eisen 渓斎英泉, 19th century

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Ichikawa Danjūrō IX as Musashibō Benkei in The Subscription List (Kanjinchō)

Tsukioka Yoshitoshi 月岡芳年, Meiji period, datable to 1890

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The Kintai Bridge in Suō Province (Suō no kuni Kintaibashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)

Katsushika Hokusai 葛飾北斎, c. 1834

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True View of the Newly Built Azuma Bridge

Utagawa Kunisada III 歌川国貞, 1887 (Meiji 20)

Woodblock print (nishiki-e) triptych; ink and color on paper

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Actors Ichikawa Danjūrō 7th and Segawa Kikunojō 5th, with poem by Shichidaime Sanjō and prose inscription by Enyūtei

Utagawa Kunisada 歌川国貞, Edo period, circa 1819-1820 (Bunsei 2 or 3)

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

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Sugatami Bridge, Omokage Bridge and Gravel Pit at Takata (Takata Sugataminohashi Omokagenohashi jariba), Number 116 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

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Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Woman Holding the Under the Cherry Blossoms (Hana no en) Volume of the Tale of Genji (Genji monogatari)/ Books (Bunsho), from the series Seven Designs for the Katsushika Circle (Katsushika shichiban tsuzuki), with poems by Rokuzōtei Hōba and Bungaen Tomom

Yashima Gakutei 八島岳亭, Edo period, circa 1826

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

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Woman Seated at Low Writing Table (Bundai), from the series Seven Designs for the Katsushika Circle (Katsushika shichiban tsuzuki), with poems by Shunryūsha Chikauo (Kaneuo) and Hakumōsha Kazumori (Banshu, Manshu)

Yashima Gakutei 八島岳亭, Edo period, circa 1826

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper, with printed signature reading "Gakutei"

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Falling Flowers (Hanachirusato), from the series Fashionable Comparisons of Genji Fans (Fūryū Genji ogi awase)

Kikugawa Eizan 菊川英山, early to mid 19th century

Woodblock print (nishiki-e); ink and color on paper

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Pines and Waves at the Dragon Cavern (Ryūdō shōtō), from the series Eight Views of the Ryūkyū Islands (Ryūkyū hakkei)

Katsushika Hokusai 葛飾北斎, about 1832

Woodblock print (nishiki-e); ink and color on paper

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