PrintsJapanese19th century

Musashi no Kuni: Chōfu no Tamagawa

Late Edo period, circa 1847-1852

Artists

Utagawa Kuniyoshi 歌川国芳Artist

Classification

Prints

Medium

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Ichiyūsai Kuniyoshi ga"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

37.4 x 25.7 cm (14 3/4 x 10 1/8 in.)

Related Artworks

Prints

The Coast of Noboto (Noboto ura), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper; with printed signature reading: "zen Hokusai Iitsu hitsu"

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Original Fuji, Meguro (Meguro Moto-Fuji), Number 25 from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, Edo period, dated 1856 (4th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

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Fuji in a Good Harvest (Hōsaku no Fuji): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

Katsushika Hokusai 葛飾北斎, Edo period, 1834 (Tempō 5)

Ukiyo-e woodblock-printed book page; ink on paper

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Sarutahiko, No. 2 (Sono ni) from the series The Boulder Door of Spring (Haru no iwato)

Totoya Hokkei 魚屋北渓, 1825

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

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Asakusa Ricefields and Torinomachi Festival (Asakusa tanbo Torinomachi mōde), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)

Utagawa Hiroshige 歌川広重, 1857 (Ansei 4), 11th month

Woodblock print (nishiki-e); ink and color on paper

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Prints

Rules for the Department of Young Ladies (Shōgaku Joreishiki zukai)

Adachi Ginkō 安達吟光, Meiji period, circa late 19th century

Ukiyo-e woodblock print: ink and color on paper

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Two Standing Ladies with a Plant

Kikugawa Eizan 菊川英山, Late Edo period, circa early to mid 19th century

Ukiyo-e woodblock print in ōban format; ink and color on paper

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Prints

Attacking Pyongyang: The Japanese Army Forged through the Enemy Stronghold (Heijō Kōgeki waga gun tekiruio nuku)

Mizuno Toshikata, Meiji period, dated 1894

Center panel from a woodblock-printed "ōban" triptych; ink and color on paper

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Prints

Shinano Province, Moon Reflected in the Sarashina Paddy-fields, Mount Kyōdai (Shinano, Sarashina tagoto no tsuki, Kyōdaisan), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujūyoshū meisho zue)

Utagawa Hiroshige 歌川広重, Edo period, 1853 (Kaei 6, 8th month)

Ukiyo-e woodblock print in "ōban" format; ink and color on paper, with printed signature reading "Hiroshige hitsu"

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Crawfish

Katsushika Hokusai 葛飾北斎, Edo period, circa early 19th century

Ukiyo-e woodblock-printed "surimono" in "nagaban" format; Ink and color on paper

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Prints

1st of 10 GRAPHIC SCENES OF THE JAPAN EXPEDITION BY WILLIAM HEINE

Unknown Artist, 19th century

19th centuryJapanese

Prints

Song Jiangming (Sō Kōmei)/ Fire (Hi), from the series Five Elements of the Tale of Water Margins (Suiko gogyō), with poem by Kōkyōen Baimon (or Umemon)

Totoya Hokkei 魚屋北渓, Edo period, probably 1832

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; Ink, color and metallic pigment on paper

19th centuryJapanese