PrintsJapanese19th century

Musashi no Kuni: Chōfu no Tamagawa

Late Edo period, circa 1847-1852

Artists

Utagawa Kuniyoshi 歌川国芳Artist

Classification

Prints

Medium

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and color on paper with printed signature reading "Ichiyūsai Kuniyoshi ga"

Culture

Japanese

Period

Edo period, 1615-1868

Century

19th century

Division

Asian and Mediterranean Art

Department

Department of Asian Art

Dimensions

37.4 x 25.7 cm (14 3/4 x 10 1/8 in.)

Related Artworks

Prints

Satsuma no Kami Tadanori (Taira no Tadanori), from the series Twenty-Four Generals for the Katsushika Circle (Katsushika nijūshishō)

Yashima Gakutei 八島岳亭, Edo period, circa 1821

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color, mica, metallic pigment and embossing on paper

19th centuryJapanese

Prints

Cutting Board Rock at Enoshima (Enoshima Manaitaishi), from the series Chronicles of Kamakura (Kamakura shi), with poems by Kozukean and associates

Kubo Shunman 窪俊満, Edo period, circa 1813

Ukiyo-e woodblock-printed surimono in "shikishi-ban" format; ink, color, metallic pigment and embossing on paper

19th centuryJapanese

Prints

The Bugaku Dance Kitoku

Takashima Chiharu, 18th and 19th centuries

Woodblock print (ukiyo-e, surimono); ink, color, and metallic pigments on paper

18th and 19th centuriesJapanese

Prints

Women at the Beach of Futami-ga-ura

Kitagawa Utamaro 喜多川歌麿, Late Edo period, circa 1803-1804

Right panel from an ukiyo-e woodblock-printed "ōban" triptych; ink and colors on paper with printed signature reading "Utamaro hitsu"

19th centuryJapanese

Prints

Purple Inkstone of the Ming Dynasty (Minchō shiken) in 3 volumes; after “Living Garden of Ming-dynasty Painting” (Minchō Seidō Gaen) originally published by Ooka Shumboku (1680-1763) in 1746

Hishiya Magobei, 19th century

Woodblock-printed book; ink on paper

19th centuryJapanese

Prints

IRIS AND WAGTAIL

Utagawa Hiroshige 歌川広重, 19th century

Ink on paper

19th centuryJapanese

Prints

General Ōdera Attacking the "Hundred Foot Cliff" with All His Might (Ōdera shōgun zenroku o furuite Hyakusekigai o shūgeki suru no zu)

Ogata Gekkō, 1895

Woodblock printed oban-sized triptych; ink and color on paper

Ukiyo-e woodblock-printed "surimono"; ink and color on paper

19th centuryJapanese

Prints

Male and Female Performers/ Nishizaka, from the series Exhaustive Illustrations of the Fifty-Three Stations of the Tōkaidō (Tōkaidō gojūsantsugi ezukushi)

Katsushika Hokusai 葛飾北斎, Edo period, 1810

Ukiyo-e woodblock print; Ink and color on paper

19th centuryJapanese

Prints

WARRIOR ENJOYING PLUM TREE

Yashima Gakutei 八島岳亭, Edo period,

Ukiyo-e woodblock-printed "surimono" in "shikishiban" format; ink, color and metallic pigment(?) on paper

19th centuryJapanese

Prints

Yoshida on the Tōkaidō (Yoshida Tōkaidō), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)

Katsushika Hokusai 葛飾北斎, c. 1831

Ukiyo-e woodblock print in "ōban" format; ink and color on paper

19th centuryJapanese

Prints

Thunder God (Raijin) Delivering a Lover Letter

Suzuki Harunobu 鈴木春信, Edo period, circa 1767-1768 (Meiwa 4-5)

Ukiyo-e woodblock print in "hashira-e" format; ink and color on paper, with printed signature reading "Suzuki Harunobu ga"

17th-19th centuryJapanese