16th century
arched at top: 6.4 x 5.7 cm (2 1/2 x 2 1/4 in.) mount: 8.4 x 6.9 cm (3 5/16 x 2 11/16 in.)
Giovanni Morelli, Milan (L. 1902 with his mark). Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932.
Opaque watercolor and shell gold over black chalk on antique laid paper mounted overall to wood panel; framing lines in shell gold and dark red opaque watercolor
16th centuryNetherlandishBrown ink and violet wash on cream antique laid paper
16th centuryNetherlandishBrown ink, brown and gray wash and white opaque watercolor on cream antique laid paper
16th centuryNetherlandishBrown ink and gray wash over black chalk, incised, on cream antique laid paper, mounted on an album leaf; verso: outlines of recto are traced through in black chalk, incised
16th centuryNetherlandishBrown ink and brown wash on wood
16th centuryNetherlandishTwo kinds of brown ink over black chalk on cream antique laid paper, lined with Japanese paper
16th centuryNetherlandishBrown ink over graphite on cream antique laid paper, framing line in black ink
16th centuryNetherlandishBrown ink, black chalk and incidental or accidental green wash on cream antique laid paper; framing line in graphite and brown ink
16th centuryNetherlandishBrown ink on off-white antique laid paper, with a framing line in brown ink
16th centuryNetherlandishBrown ink and brown wash on wood
16th centuryNetherlandishBrown ink over black chalk on light tan antique laid paper
16th centuryNetherlandishOpaque and transparent watercolor over traces of black chalk on antique laid paper mounted overall to wood panel, traces of framing lines in shell gold and dark red opaque watercolor
16th centuryNetherlandish