16th century
arched at top: 6.4 x 5.7 cm (2 1/2 x 2 1/4 in.) mount: 8.4 x 6.9 cm (3 5/16 x 2 11/16 in.)
Giovanni Morelli, Milan (L. 1902 with his mark). Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932.
Brown ink and blue wash on cream antique laid paper; verso: brown ink, blue wash, and red chalk
16th centuryNetherlandishGray and brown ink, white and pink opaque watercolor, on gray-blue prepared paper, partial framing line in gray ink
16th centuryNetherlandishBrown ink and white opaque watercolor over black chalk on cream antique laid paper, original partial framing line in brown ink
16th centuryNetherlandishBrown ink and brown wash over touches of black chalk on light tan antique laid paper, framing line in brow nink; verso: black ink
16th centuryNetherlandishBrown ink, gray and rose wash over black chalk, incised, on cream antique laid paper, framing line in black chalk and brown ink, mounted on an album leaf; verso: partially visible, outlines of recto are traced through in black chalk, incised
16th centuryNetherlandishBrown ink, brown wash and white opaque watercolor over touches of black chalk on cream antique laid paper, laid down
16th-17th centuryNetherlandishBrown ink, brown wash, and touches of black chalk on cream antique laid paper
16th centuryNetherlandishBrown ink over touches of black chalk on off-white antique-laid paper, laid down
16th centuryNetherlandishTwo kinds of brown ink over black chalk on cream antique laid paper, lined with Japanese paper
16th centuryNetherlandishBrown ink and brown wash over black chalk on cream antique laid paper, partial framing line in brown ink, laid down on mount
16th centuryNetherlandishBlack ink on off-white antique laid paper, incised, black ink framing line, blackened on the verso for transfer to copper plate
16th centuryNetherlandishBlack ink on cream antique laid paper, circular framing line partially in brown ink and partially in black chalk
16th centuryNetherlandish