The Virgin of Sorrows

Brown ink and wash, black chalk and white opaque watercolor on brown prepared paper

Brown ink, brown wash, and black chalk on off-white antique laid paper, framing line in brown ink

Brown ink on light tan antique laid paper; verso: two tones of brown ink

Gray and brown ink, white and pink opaque watercolor, on gray-blue prepared paper, partial framing line in gray ink

Brown ink and white opaque watercolor over black chalk on cream antique laid paper, original partial framing line in brown ink

Brown-gray ink on cream antique laid paper; verso: black chalk lines rubbed with black chalk throughout

Brown ink and brown wash over touches of black chalk, incised, on off-white antique laid paper, framing line in brown ink, laid down on a gold-bordered mount

Brown ink and brown wash over touches of black chalk on antique laid paper, toned with red wash and white opaque watercolor

Brown ink and wash on light tan antique laid paper, partial framing lines in graphite

Charcoal, black chalk, stumped, and gray wash, center line, framing lines and indications of saddle bars and T-bar in red chalk on six joined sheets of antique laid paper, mounted on Japanese paper; scattered touches of graphite restoration

Brown ink and gray, rose, and yellow wash over black chalk, incised, on cream antique laid paper, inside framing line in black chalk at top, right and partially at bottom, outside framing line in brown ink at top, right and bottom; verso: long lines in brown ink and rubbed with black chalk

Brown ink and brown wash on wood