c. 1533-35?
23 x 16.3 cm (9 1/16 x 6 7/16 in.)
Charles A. Loeser, Florence, Italy; bequest; to Fogg Art Museum, 1932.
Charcoal, black chalk, stumped, and gray wash, center line, framing lines and indications of saddle bars and T-bar in red chalk on six joined sheets of antique laid paper, mounted on Japanese paper; scattered touches of graphite restoration
16th centuryNetherlandishBrown ink over black chalk and incidental pink wash, on light tan antique laid paper, laid down, framing lines in brown ink and dark brown ink
16th centuryNetherlandishBrown ink, black chalk and incidental or accidental green wash on cream antique laid paper; framing line in graphite and brown ink
16th centuryNetherlandishBrown ink on parchment
16th centuryNetherlandishBlack chalk, brown wash and white opaque watercolor on blue antique laid paper
16th-17th centuryNetherlandishOpaque and transparent watercolor over traces of black chalk and graphite on antique laid paper mounted overall to wood panel, framing lines in shell gold and dark red opaque watercolor
16th centuryNetherlandishBrown ink, brown wash, and white opaque watercolor over black chalk on light tan antique laid paper
16th centuryNetherlandishBlack ink on off-white antique laid paper, incised, black ink framing line, blackened on the verso for transfer to copper plate
16th centuryNetherlandishBrown ink and brown wash over black chalk on three pieces of cream antique laid paper; some (later?) gray wash on Adam's crotch; partial framing line in brown ink; verso: faint black chalk sketches of architectural motifs
16th centuryNetherlandishBrown ink on parchment
16th-17th centuryNetherlandishBrown ink and brown wash on wood
16th centuryNetherlandishBrown ink over touches of black chalk on off-white antique-laid paper, laid down
16th centuryNetherlandish