Crucifixion

Brown ink, with some scattered traces of reddish-brown chalk on cream antique laid paper, framing line in brown ink

Brown ink with incidental red and black chalk on off white antique laid paper; verso: brown ink

Brown ink, brown wash, and white opaque watercolor over black chalk on blue antique laid paper

Brown ink on light tan antique laid paper; verso: two tones of brown ink

Brown ink and brown wash over black chalk on three pieces of cream antique laid paper; some (later?) gray wash on Adam's crotch; partial framing line in brown ink; verso: faint black chalk sketches of architectural motifs

Black ink, gray wash and white opaque watercolor, incised, on brown prepared paper, framing line in black ink

Charcoal, black chalk, stumped, and gray wash, center line, framing lines and indications of saddle bars and T-bar in red chalk on six joined sheets of antique laid paper, mounted on Japanese paper; scattered touches of graphite restoration

Brown ink and white opaque watercolor over black chalk on cream antique laid paper, original partial framing line in brown ink

Brown ink and wash on light tan antique laid paper, partial framing lines in graphite

Brown ink, brown wash and white opaque watercolor over black chalk, incised, on cream antique laid paper

Black ink on off-white antique laid paper, incised, black ink framing line, blackened on the verso for transfer to copper plate

Opaque and transparent watercolor heightened with gold and silver over graphite on cream paper, framing line in black ink, red opaque watercolor, and gold