Descent from the Cross

Brown ink and brown wash on off-white antique laid paper, autograph framing lines in brown ink, mounted overall

Brown ink and brown wash over touches of black chalk on antique laid paper, toned with red wash and white opaque watercolor

Brown ink on cream antique laid paper

Brown ink, brown and gray wash and white opaque watercolor over touches of black chalk on light tan antique laid paper, framing line in black chalk at right and bottom edges, on remnants of mount

Brown ink, brown wash, and touches of black chalk on cream antique laid paper

Brown ink and brown wash over touches of black chalk, extensively incised, on cream antique laid paper, framing line at top, right, and left sides and partial brown ink framing line at top, laid down

Brown ink over black chalk and incidental pink wash, on light tan antique laid paper, laid down, framing lines in brown ink and dark brown ink

Brown-gray ink on cream antique laid paper; verso: black chalk lines rubbed with black chalk throughout

Brown ink and brown wash over black chalk on three pieces of cream antique laid paper; some (later?) gray wash on Adam's crotch; partial framing line in brown ink; verso: faint black chalk sketches of architectural motifs

Brown ink over black chalk, incised and with a vertical line at left edge in black chalk, on cream antique laid paper, with an incised framing line

Brown ink, brown wash and white opaque watercolor over black chalk, incised, on cream antique laid paper

Black ink and white opaque watercolor on rose prepared paper, with a probably later graphite line; verso: black chalk