A Seated Bishop Holding a Crozier and a Hammer

Brown ink over graphite on cream antique laid paper, framing line in black ink

Brown ink and brown wash over touches of black chalk on antique laid paper, toned with red wash and white opaque watercolor

Black ink and gray wash over traces of black chalk on cream antique laid paper; framing line in brown ink

Brown ink on parchment

Charcoal, black chalk, stumped, and gray wash, center line, framing lines and indications of saddle bars and T-bar in red chalk on six joined sheets of antique laid paper, mounted on Japanese paper; scattered touches of graphite restoration

Brown ink, gray and rose wash over black chalk, incised, on cream antique laid paper, framing line in black chalk and brown ink, mounted on an album leaf; verso: partially visible, outlines of recto are traced through in black chalk, incised

Black chalk, brown wash and white opaque watercolor on blue antique laid paper

Brown ink on off-white antique laid paper, with a framing line in brown ink

Brown ink and gray wash over black chalk, incised, on cream antique laid paper, mounted on an album leaf; verso: outlines of recto are traced through in black chalk, incised

Brown ink, black chalk and incidental or accidental green wash on cream antique laid paper; framing line in graphite and brown ink

Two kinds of brown ink over black chalk on cream antique laid paper, lined with Japanese paper

Brown ink, brown wash, and black chalk on light tan antique laid paper