c. 1510
34.8 x 24 cm (13 11/16 x 9 7/16 in.)
General Antoine-François Andréossy (according to Rodrigues sale catalogue). Antonio Barboza, Paris (L. 77, lower right). Eugène Rodrigues, Paris (L. 897, lower left), sold; [Muller, Amsterdam, 12-13 July 1921, lot 131, repr. pl. LII]; to Muller. Franz Koenigs, Haarlem; by descent to his heirs, sold; [Sotheby's, New York, 23 January 2001, lot 3, repr. p. 17], bought in and subsequently sold; to Vermeer Associates, Limited, Brampton, Ontario, sold; to Harvard University Art Museums; The Kate, Maurice R. and Melvin R. Seiden Special Purchase Fund in honor of Mary and Michael Gellert, inv. no. 2004.85. NOTE: The sequence to Franz Koenigs directly from the auction at Muller's is not proven. The drawing may have bought in at that sale and then sold to Koenigs.
Opaque and transparent watercolor over traces of black chalk and graphite on antique laid paper mounted overall to wood panel, framing lines in shell gold and dark red opaque watercolor
16th centuryNetherlandishBrown ink and brown wash over touches of black chalk on antique laid paper, toned with red wash and white opaque watercolor
16th centuryNetherlandishCharcoal, black chalk, stumped, and gray wash, center line, framing lines and indications of saddle bars and T-bar in red chalk on six joined sheets of antique laid paper, mounted on Japanese paper; scattered touches of graphite restoration
16th centuryNetherlandishBrown ink, brown wash and white opaque watercolor over black chalk, incised, on cream antique laid paper
16th centuryNetherlandishBrown ink, brown wash, and white opaque watercolor over black chalk on blue antique laid paper
16th centuryNetherlandishTwo shades of brown ink, blue wash, and black chalk on cream antique laid paper; verso: black chalk
16th centuryNetherlandishGray and brown ink, white and pink opaque watercolor, on gray-blue prepared paper, partial framing line in gray ink
16th centuryNetherlandishBrown ink on light tan antique laid paper; verso: two tones of brown ink
16th centuryNetherlandishBrown ink and brown wash over black chalk, extensively incised, on cream antique laid paper
16th centuryNetherlandishOpaque watercolor and shell gold over traces of black chalk on paper mounted overall to wood panel; framing lines in shell gold and dark red opaque watercolor
16th centuryNetherlandishBlack ink on cream antique laid paper, circular framing line partially in brown ink and partially in black chalk
16th centuryNetherlandishBrown ink, brown wash and graphite, squared in graphite and black chalk, incised, on off-white antique laid paper; partial framing line in brown ink and graphite
16th-17th centuryNetherlandish