February/March 1752
This scene takes place on the scenic banks of the river Tawi in the state of Jammu in northern India. Wearing a dark green jama, Raja Balwant Singh, king of Jasrota, leans forward with a sword in one hand to defend his elephant from an attacking lion. The scene is packed with intense action, all the retainers on foot and on horseback rushing forward to help. The mahaout elephant trainer is poised to push the elephant goad into the head of the lion. The sparse setting gives little clue to the foreground violence: the landscape is bare, dotted with just a few palash trees. The chaotic scene is witnessed by a distant hawk, who circles through the sky above. Nainsukh was one of the most famous artists working in the Punjab Hills. Balwant Singh comissioned numerous portraits from Nainsukh, ranging from scenes of state audiences and royal hunts to intimate moments in the life of the ruler. (label text from Sport of Kings exhibition January 2005).
Sheet: 29.3 x 39.9 cm (11 9/16 x 15 11/16 in.)
Ink with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor on paper; original leather binding
18th centuryIndianOpaque watercolor and gold on paper; Pahari School, Kangra Style
18th centuryIndianOpaque watercolor on paper
18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor, gold, and silver on paper; Pahari Style, Kangra School.
18th centuryIndianOpaque watercolor on paper
18th centuryIndianOpaque watercolor on paper
18th centuryIndian