c. 1780
This painting shows a standing female figure during the celebration of Holi. She takes a moment away from the festivities to play the tanpura (a string instrument) at the center of a formal garden. Her white dress and veil are stained with orange, pink, and yellow dyes. Meanwhile, her companions continue celebrating boisterously in the background, throwing and spraying colors at each other. The axial garden in which she stands is known as chahar bagh, literally “four gardens.” Traditionally, the four quadrants are separated by water channels or paths. Here, intersecting paths create a central square bracketed by four flowerbeds. Originally an ancient Persian concept, the chahar bagh was widely adopted during the Islamic era, including in Central Asia. The founder of the Mughal Empire, Babur (r. 1536–30), who hailed from present-day Uzbekistan, introduced the design to India.
19.21 x 12.7 cm (7 9/16 x 5 in.)
Ink with opaque watercolor and gold on paper
17th-18th centuryIndianInk and opaque watercolor on paper
18th centuryIndianOpaque watercolor and gold on paper; Rajput Style
18th-19th centuryIndianInk and opaque watercolor on paper; Basohli Style
18th-19th centuryIndianOpaque watercolor on paper
18th centuryIndianBlack ink and opaque watercolor over black chalk underdrawing on tan laid paper; Rajput Style, Kota School
18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor and gold on paper
18th centuryIndianOpaque watercolor on paper
18th centuryIndianInk with opaque watercolor and gold on paper
17th-18th centuryIndianOpaque watercolor on paper
18th centuryIndian