11th-12th century
To imitate the whiteness of Chinese ceramics, Muslim potters added large quantities of crushed quartz to their clays, creating fritware. The practice probably began in Iraq before spreading to Egypt and Iran. Artists staunchly guarded craft secrets, but their own mobility combined with long-distance commerce ensured the circulation of decorative styles and techniques. Covered only in a clear glaze, this jug reveals fritware’s pure white body.
16.5 x 11.5 cm (6 1/2 x 4 1/2 in.)
Sarah C. Sears collection, Boston, MA, (by 1935). Mrs. J. D. Cameron Bradley, (by 1936), bequest; to Fogg Art Museum, 1936.
Silver
17th centuryBritishMonochrome blue ware: porcelain with cobalt-blue glaze over incised decoration; with underglaze cobalt-blue mark reading "Da Ming Jiajing Nian Zhi" within a double circle on the base
16th centuryChinesePainted Jizhou ware: very light gray stoneware with clear glaze over decoration painted in iron-brown slip. From the Jizhou kilns, near Yonghe, Ji'an, Jiangxi province.
13th-14th centuryChineseNumbered Jun ware: light gray stoneware with variegated purple and blue glaze; with Chinese numeral 8 (ba) inscribed on base base before firing
15th centuryChineseGray stoneware
3rd-2nd century BCEChineseTerracotta; buff slip, brown glaze.
3rd-2nd millennium BCECypriotIncised celadon ware: light gray stoneware with celadon glaze over incised decoration
12th centuryKoreanGray earthenware with cord-impressed decoration
ChineseTang white ware: white stoneware with clear glaze
8th-9th centuryChineseTerracotta
7th century BCEEtruscanYaozhou ware: light gray stoneware with celadon glaze over carved and incised decoration. From the Yaozhou kilns at Tongchuan, Shaanxi province.
12th centuryChineseGray stoneware with incised, stamped, and openwork decoration. Reportedly recovered near Ulsan, South Kyŏngsang province.
6th centuryKorean